Other Writing

Articles and Chapters

“Painting/Printmaking/Drawing,” in Native Art Now: Developments in Contemporary Native American Art, 1992-2012, Kate Morris and Veronica Passalacqua, eds., (Indianapolis: Eiteljorg Museum and Norman: University of Oklahoma Press, forthcoming).

“Making Pictures on Baskets: Modern Indian Painting in an Expanded Field” in Multiple Modernisms: Indigeneity, Colonialism, and Twentieth-Century Arts, Elizabeth Harney and Ruth Phillips, eds., (Durham and London: Duke University Press, forthcoming).

“Socially Engaged Art, Photography, and Art History,” in Activating Democracy: The “I Wish to Say” Project, Sheryl Oring, ed. (Bristol, UK: 2016). Intellect Books), 111-114.

“Marisol’s Indians,” in Marisol: Sculptures and Works on Paper, 1955-1998, Marina Pacini, ed. (Memphis: Brooks Museum of Art and New Haven: Yale University Press, 2014), 135-156.

“Tarrah Krajnak: Strays,” Exposure, v. 47, n. 1 (Spring 2014): 30-36.

“ ‘Why Injun Artist Me’: Acee Blue Eagle’s Diasporic Performative,” in Native Diasporas: Indigenous Identities and Settler Colonialism in the Americas, Gregory D. Smithers and Brooke N. Newman, eds. (University of Nebraska Press, 2014)

“Ethics in a World of Strange Strangers: Edgar Heap of Birds at Home and Abroad,” Art Journal, v. 71, n. 3 (Fall 2012): 58-77.

“Contemporary Native Artists and International Biennial Culture,” Visual Anthropology Review, v. 25, n. 2 (Fall 2009): 109–127.

“Indian Time at Foxwoods,” (Im)permanence: Cultures in/out of Time, Judith Schachter and Stephen Brockman, eds. (Carnegie Mellon University, Center for the Arts in Society/Penn State University Press, 2008

“Learning from Foxwoods: Visualizing the Mashantucket Pequot Tribal Nation,” American Indian Quarterly, v. 32, n. 2 (Spring 2008): 204-218.

“Cultural Controversies,” in The American Midwest: An Interpretive Encyclopedia, Andrew Cayton, Richard Sisson, and Chris Zacher, eds. (Bloomington: Indiana University Press, 2007), 620-623.

“Native American Art Centers” in The American Midwest: An Interpretive Encyclopedia, Andrew Cayton, Richard Sisson, and Chris Zacher, eds. (Bloomington: Indiana University Press, 2007), 669-670.

“The Indian’s White Man,” Journal of the West, v. 40, n. 4 (Fall 2001): 26-33.

“Vittore Gambello,” The Dictionary of Art. (New York: Grove Dictionaries, 1996).

Reviews: Native American Art History

Jane Ewers Robinson, ed., Plains Indian Art: The Pioneering Work of John C. Ewers (Norman: University of Oklahoma Press, 2011) in Great Plains Quarterly, v. 32, n. 4 (Fall 2012): 288.

Judith Ostrowitz, Interventions: Native American Art for Far-Flung Territories (Seattle: University of Washington Press, 2009) caa.reviews online (December 15, 2009).

Teresa J. Wilkins, Patterns of Exchange: Navajo Weavers and Traders (Norman: University of Oklahoma Press, 2008) in New Mexico Historical Review, v. 84, n. 4 (Fall, 2009): 558-559.

Emma I. Hansen, Memory and Vision: Arts, Cultures, and Lives of Plains Indian People (Cody, Wyoming and Seattle: Buffalo Bill Historical Center/University of Washington Press, 2007) in Great Plains Quarterly, v. 29, n. 3 (Summer 2009): 258-259.

Jill Leslie Furst, Mojave Pottery, Mojave People: The Dillingham Collection of Mojave Ceramics (Santa Fe: School of American Research Press, 2001) in Journal of the West, v. 42, n. 4 (Fall 2003): 93-94. Invited

Christian F. Feest, ed. Studies in American Indian Art: A Memorial Tribute to Norman Feder (Vienna and Seattle: European Review of Native American Studies and University of Washington Press, 2001), in Great Plains Quarterly, v. 23, n. 2 (Spring) 2003: 135-136.

Reviews and Interviews: Contemporary Art

Transcultural Pilgrim: Three Decades of work by José Bedia, Fowler Museum at UCLA, caa.reviews online (August 24, 2012)

“Bruce Tapola, ‘The Velvety Cloak of Twilight,’ ” Art Papers, v. 29, n. 4 (July/Augus, 2005): 45-46

“Memphis,” Contemporary Magazine, Issue 75 (June, 2005): 16

“Southern Strategy: A Conversation with Grier Edmundson,” Number: 52 (Spring 2005): 8-9

“Learning to Love You More, Number: 51 (Winter 2005): 20-2

“Memphis,” Contemporary Magazine, Issue 70 (January 2005): 1

“Memphis,” Contemporary Magazine, Issue 65 (August 2004): 17

Roger Hull, Intersections: The Life and Art of Jan Zach (Salem, OR: Hallie Ford Museum of Art, Willamette University; Seattle, WA: University of Washington Press, 2002) in Journal of the West, v. 43, n. 3 (Summer 2004): 100.

“Nashville Byline: Greg Pond and Cornel Novac at the Fugitive Art Center; ‘Altered Spaces’ at the Cheekwood Museum of Art Installation Gallery,” Number: 45 (Summer 2003): 14

“The Hidden Significance of a Clothespin: A Conversation with John Salvest,” Number: 44 (Spring 2003): 12-13

“Nam Jun Paik, ‘Vide-O-Belisk, ” Memphis Brooks Museum of Art, Art Papers, v. 27, n. 5 (September/October 2003): 44-45

“John Salvest, ‘TEXTure’, ” Arkansas Arts Center, Little, Rock, Art Papers, v. 26, n. 5 (September/October 2002): 36-37

Exhibition Essays

“Veda Reed: New Paintings,” David Lusk Gallery, Memphis, Tennessee, 2004

“Cold Comfort,” Memphis College of Art, 2003

“Plays Well With Others,” for “Nikki S. Lee: Projects,” Clough-Hanson Gallery, Rhodes College, Memphis, Tennessee, 2002

“Ted Faiers: the 1950s,” David Lusk Gallery, Memphis, Tennessee, 2002


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